A Cartoonist Goes Hollywood
 
Everything was lovely...
before the cartoonists showed up.

 

 

 


This is one of those random "oh what the heck" photos.
Lee Salem (Universal Press Syndicate) is donning the cool shades in the foreground. Frank Pauer is looking away
from me and the camera (typical) to Lee's left. Bil Keane ("Family Circus") is in the blue shirt behind Lee's right.

This is what it's like when you end up in the background
of photos in the vacation album of some
anonymous family in Muncie, Indiana, that you'll never
see again as long as you live
(and you wouldn't know it if you did).

 


Bill LaRocque and his balloons.
That's all I got on that one.
 
Cathy's Reuben.
This is as close as I'll ever get... which is why I licked it.

I managed to overpower the aforementioned security
guard in Cathy's studio with a donut and bottle of Perrier.

(In case you're wondering how I got so close
to her Reuben in the first place...)

 


Cathy actually set up a step-by-step production line
showing how she creates her strip.
This is the last step and it reads as follows:
"Step 7:
Add Zipatone--yes, still by hand.
Last cartoonist on the planet who still uses it."



Bernita Whiting, Don Peoples and Jim Whiting
hobnobbing in Cathy's kitchen (which thwarted my
pictorial essay on the contents of Cathy's refrigerator.)

 


Keith Robinson and I engaged in a totally spontaneous
and unrehearsed conversation with the adorable
June "Where's the Mini-Bar" Patterson.

(I stole this from Keith, too. Cool, huh?)
 


Cathy and I share a moment just seconds before
her guards dragged me off for the mandatory
cavity search (an NCS tradition since 1996 which,
oddly enough, is the year I joined...).

Thank you, Cathy, for a marvelous time!

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